American companies generate a lot of wealth. But Americans aren't seeing much of it. Media theorist Douglas Rushkoff says that's because today's corporations are obsessed with one thing -- growth. We'll find out why our economy's operating system is broken and how we can fix it, as we rethink work. Also, we'll explore the six-hour work day and the case for a universal basic income.
Wasn't the digital economy supposed to help all of us gain access to meaningful work? Computers would do the boring jobs while people did the stuff that matters. Instead, we've got workers replaced by robots and taxi drivers losing out to Uber. What went wrong? Media theorist Douglas Rushkoff has a word for it: growth.
Dan Lyons was a magazine writer and the technology editor at Newsweek. But one Friday morning, he found out that he'd lost his job. He was 50 with a wife and two kids. What was he going to do? And then he had an idea -- since he had so much experience reporting on Silicon Valley and the tech explosing, why not join it? So Dan scored a gig with HubSpot, a Boston start-up flush with 100 million dollars in venture capital. It was an experience, to say the least.
The idea of a universal basic income is getting serious consideration these days from governments -- in Switzerland, Finland, even Kenya. Could it get traction in the U.S.? Absolutely, says journalist Rutger Bregman.
What makes a happy workplace? It's pretty clear that most of us want more than just a paycheck. We walso want to do something we care about. The quest to build a corporate culture around meaningful work is what led Chip Conley to the pioneering psychologist Abraham Maslow and his "hierarchy of needs." At the bottom of Maslow's pyramid are baisc survival needs like food and shelter. And at the top is "self-actualization," where people reach their full potential. So what would a self-actualizing company look like?
Hollywood is finally getting ready to give women superpowers. For decades, moviegoers only saw the likes of Batman, Spider Man, and Iron Man, but in recent years there's been a slate of strong female characters on screen. And there's more to come, including The Black Widow, Captain Marvel and the iconic Wonder Woman. This hour, we're talking about superheroines, in film and in real life.
Since her creation in 1941, Wonder Woman has become one of the most popular superheroes of all time, as well as an beloved icon of second-wave feminism. It also turns out she has a fascinating origin story that intersects with the Women's movement of the early 20th century, the lie detector, and even involves the founders of Planned Parenthood. Historian Jill Lepore tells Steve Paulson about these connections, and talks about Wonder Woman's eccentric creator.
Television is rife with shows about female spies, whether it's Nikita, Covert Affairs, the Americans, or Homeland. It really seems like spy girls are having a moment on TV, but how true to life are these popular depictions? We turned to former CIA operations officer Valerie Plame Wilson to find out.
How do you best portray a strong female character, either in TV or in film? That’s a question culture critic Tasha Robinson has been asking herself for a long time now, first during her 13 years as an editor for the A.V. Club and most recently as the senior editor of the movie commentary site, The Dissolve. She tells Charles Monroe Kane that it's relatability — not toughness — that defines a strong woman on screen.
For much of her early life, rock critic Jessica Hopper was an ardent fan of punk rock. But despite her passion, she never felt like she quite fit in. That began to change once she started seeing female fronted bands performing onstage. She says the experience convinced her that there was a place for her in music. The discovery set her on a quest to uncover the countless other ways women are excluded from music, which she writes about in her book, "The First Collection of Criticism By A Living Female Rock Critic." She spoke to producer Craig Eley about the various forms of sexism she encountered in her decades-long career as a music journalist.