If you really want to know how to disappear, you might want to talk to the U.S. Marshall Service, which runs the Federal Witness Protection Program.
If you really want to know how to disappear, you might want to talk to the U.S. Marshall Service, which runs the Federal Witness Protection Program.
When Kevin Miyazaki was a child, there was something his family rarely discussed . His father’s family was interned in American camps during World War II. Now let’s not mince words here. His father’s family is Japanese and lived in Takoma, Washington. But after the attacks on Pearl Harbor, Japanese-Americans were rounded up and put into concentration camps. Kevin went on to be a successful fine arts photographer. But one day his family’s past merged with his art.
Kevin's work is on view as a part of the 2013 Wisconsin Triennial at the Madison Museum of Contemporary Art. Click here to see the photos he discussed in the interview and to read his catalogue "Guide to Modern Camp Homes: 10 New Models and Plans for Persons of Japanese Ancestry."
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Glenn Kay talks to Jim Fleming about some of the 300 zombie films he has seen, rated, and reviewed.
Historian Harold Schechter tells Anne Strainchamps that violence has always been an important part of popular entertainment and our ancestors enjoyed truly grisly spectacles.
George Cotkin, author of “Existential America,” says that angst is familiar emotional territory for Americans and explains why Existentialism appealed to people here.
Greil Marcus tells Steve Paulson that self-invention has been a part of American nationhood since Puritan times.
Writer Holly Black and illustrator Tony di Terlizzi tell Anne Strainchamps that they wanted to find a way to re-introduce all the old fairy folklore to a new generation of children.