Standup, prat falls, punch lines. Performing comedy's one thing, writing it's another.
Ian Frazier has been writing comedy for the New Yorker for decades. Catch him talking about the rewards of writing humor, and telling jokes in Russian.
Intelligent. Optimistic. Curious.
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African Genre Fiction is breaking the mold of African literature. And “Broken Monsters” certainly does that. It is a crime novel written by a white South African that is set in Detroit.
Ted Steinberg tells Jim Fleming that Americans love perfect mono-cultures and are willing to over-water and freely use chemical fertilizers, herbicides and pesticides to achieve them.
Film critic Roger Ebert’s written a book called “The Great Movies” in which he describes 100 films he thinks make the cut. Among them is Richard Lester’s film of the Beatles’ “A Hard Day’s Night.” Ebert talks about why that film is so important.
Geneticist Steve Jones tells Jim Fleming that biologically men, who have a Y chromosome, are the second sex.
"I can't remember a time when I wasn't drawing," says Molly Crabapple. "I can't not draw. It's how I relate to the world." And Crabapple's art - her drawings, paintings and posters - have ignited various political causes, from the Occupy Movement to protests against the treatment of prisoners in Guantanamo. She tells Anne Strainchamps how art can be a political tool.
Shaun Whitehead is a veteran treasure hunter. He tells Anne Strainchamps about his quests for treasure and his treasure-hunting club.
Paul Koudounaris has spent the past decade traveling around the world, climbing into church crypts and bone chambers and taking photos at over 250 burial sites in 30 countries. He's discovered chapels decorared with skeletons and underground caves filled with skulls—among other things. In this interview, he tells us how he began his obsession with displays of death.
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