Michael Benson is a film-maker who’s compiled an extraordinary book of still photographs. Lawrence Weschler wrote the book’s Afterward.
Michael Benson is a film-maker who’s compiled an extraordinary book of still photographs. Lawrence Weschler wrote the book’s Afterward.
Michael Pollan tells Judith Strasser where the American front lawn came from, and what it has come to symbolize.
Mark Kurlansky, author of “1968: The Year That Rocked the World” talks about why that year was so significant.
Richard Sennett makes the case that our definition of craft should be expanded to include any job a person commits to executing to the best of their abilities.
Feminist film critic Molly Haskell talks about how Hollywood has treated the subject of writer’s block, and we hear clips from “Adaptation” and “Barton Fink.”
John Callahan is a C5-6 quadriplegic. With only limited arm movement, he’s become a successful cartoonist. Callahan explains why he doesn’t shy away from outrageous cartoons.
For several days, Robert Olen Butler had a video camera trained on his desk and invited people to watch him write on-line. Butler says the Internet will create new art forms.
Nathaniel Lachenmeyer tells Jim Fleming about the history of our suspicion that 13 is an “unlucky” number.