Can you learn to be more creative? You can if you go to Lynda Barry's workshop on "writing the unthinkable." In this EXTENDED interview, she tells Anne Strainchamps how to unleash our hidden muse.
Can you learn to be more creative? You can if you go to Lynda Barry's workshop on "writing the unthinkable." In this EXTENDED interview, she tells Anne Strainchamps how to unleash our hidden muse.
Mary Wells Lawrence thought up some of the most clever and memorable ad campaigns of her generation. Her memoir is “A Big Life in Advertising.”
Joel Waldfogel talks with Jim Fleming about what's really wrong with all those cringe-inducing neckties and fruitcakes nobody eats.
Julian Rubinstein tells the story of Attila Ambrus, the man who escaped Romania for Hungary and became the Robin Hood of Eastern Europe.
Michael Cunningham won the Pulitzer Prize for his novel “The Hours,” which re-imagined the life and death of Virginia Woolf. His new novel is called “Specimen Days” and involves Walt Whitman.
Canadian novelist Margaret Atwood talks with Steve Paulson about her dystopian science fiction book, “Oryx and Crake.”
Acclaimed novelist Colson Whitehead got the magazine assignment of a lifetime: a week in Vegas, playing in the World Series of Poker. He tells Doug Gordon about high stakes poker and his own "anhedonia," his difficulty experiencing pleasure.