Millard Kaufman has a long string of successes, including two Oscar nominations as a screen writer. He tells Jim Fleming why he decided to take on a new kind of writing.
Millard Kaufman has a long string of successes, including two Oscar nominations as a screen writer. He tells Jim Fleming why he decided to take on a new kind of writing.
Jason Zinoman talks to Jim Fleming about his book, "Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror."
Lisa Lieberman is the author of “Leaving You: The Cultural Meaning of Suicide.” She talks about the suicide of her grandfather and the extravagant narratives left by 19th century suicides.
Mark Anthony Neal considers himself a feminist and thinks that the traditional stereotypes of the Strong Black Man have contributed to the problems that Black men face today.
The East Village Opera Company gives the traditional operatic repertory an extreme musical make-over, re-imagining arias as popular songs.
Joan Richards teaches the history of mathematics at Brown University. Her book chronicles how her faith in mathematical laws was shaken when her son suffered a seizure.
Steve Paulson talks with Jerry Huffman, a reporter and anchor for Wisconsin Public Television, about the best recent books that try to make sense of the Post Cold War World.
Larry Watson tells a story about beauty, art, obsession and betrayal in his novel “Orchard.”