Bruce Watson tells Steve Paulson why Erector Sets were so huge. They reflected the spirit of America’s Industrial Age, and A.C. Gilbert marketed them directly to boys.
Bruce Watson tells Steve Paulson why Erector Sets were so huge. They reflected the spirit of America’s Industrial Age, and A.C. Gilbert marketed them directly to boys.
Canadian author and artist Douglas Coupland talks to Steve Paulson about his unconventional McLuhan biography, "Marshall McLuhan: You Know Nothing of My Work!"
Daniel Alarcon is from Peru and the author of “Lost City Radio,” a fable about a nameless country broken in the aftermath of war and the woman who does a radio program for the families of the disappeared.
Benjamin Skinner tells the story of how he infiltrated slave markets on five continents from slave quarries in India to child markets in Haiti and says that in Manhattan, you're five hours away from negotiating the sale of another human being in broad daylight.
David Hughes tells Jim Fleming some of the reasons why a script might never get made into a film.
Christopher Taylor talks with Jim Fleming about his recent series of concerts where he performed all 32 Beethoven Piano Sonatas, from memory.
Bob Spitz writes about the Beatles time in India with Maharishi Mahesh Yogi in his book "The Beatles: The Biography."
Father Thomas Keating tells Steve Paulson why he believes everyone ought to practice contemplative meditation.