Erik Trinkaus tells Steve Paulson that many of our assumptions about them, and our other "cave man" ancestors are just plain wrong.
Erik Trinkaus tells Steve Paulson that many of our assumptions about them, and our other "cave man" ancestors are just plain wrong.
Composer Philip Glass says he was transported by "The Wayfinders" - Wade Davis' celebration of indigenous cultures.
“Advances in resuscitation science are beginning to challenge our understanding of what death really is,” says Sam Parnia. He's the director of cardiopulmonary resuscitation research at SUNY NY. Parnia says it's now possible to bring people back to life much longer after cardiac arrest than medicine had previously thought.
For eight years Anu Garg has been sending e-mail to a half million people in two hundred countries around the world, but it's not spam. It's "A Word a Day," a message with a definition, the word's etymology and an example of how to use it.
Bruce Watson tells Steve Paulson why Erector Sets were so huge. They reflected the spirit of America’s Industrial Age, and A.C. Gilbert marketed them directly to boys.
Azby Brown is an American architect who lives in Tokyo. He tells Jim Fleming how a Japanese family of four can live comfortably in a house under 1000 square feet in size.
Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Could the Internet feel happy or depressed? That's a distinct possibility, according to Christof Koch. In this EXTENDED interview, he talks about computer consciousness, God, and just what it means that our brains have a hundred billion neurons and trillions of synapses. Koch wonders whether all matter might have consciousness.