Greil Marcus explains why Bob Dylan's "Like a Rolling Stone" was an anthem for the sixties and a critical turning point for Dylan as an artist.
Greil Marcus explains why Bob Dylan's "Like a Rolling Stone" was an anthem for the sixties and a critical turning point for Dylan as an artist.
A Prairie Home Companion's Garrison Keillor talks with Steve Paulson about being a mid-Western writer and moving to New York City.
George Saunders talks about his new short-story collection, "Tenth of December."
Charles Duhigg, a reporter for the New York Times, has been researching the scientific and social history of habits for his new book, The Power of Habit. In it, he discusses the unique ways that habits shape our lives, both neurologically and practically. He learned that habits are powerfully hardwired into your brain — and stored separately from your memories — making them rather easy to develop and very difficult to change.
To mark the opening of the movie version of “The Sorcerer’s Stone,” an exploration of the phenomenal popularity of the Harry Potter books.
Greil Marcus tells Steve Paulson that self-invention has been a part of American nationhood since Puritan times.
Giorgio Moroder is 75 years old, DJing in front of huge crowds, and experiencing a level of success that he hasn't seen since the 1970s—when he produced some of the first, biggest, and best songs of the disco era.
The kind of people who live in places like Jackson, Kentucky often get characterized as poor, white and angry. And worse, as redneck and racist – hillbilly white trash. J.D. Vance knows them well. They’re his people. He grew up in Kentucky coal country and the Ohio rust belt - places he left behind when he went to Yale Law School. Today he practices in Silicon Valley, but he’s just written a book called “Hillbilly Elegy," which should be required reading for this election year. Welcome to Jackson, Kentucky.