Stephen Prothero tells Jim Fleming that Jesus has become an American icon like Mickey Mouse and that the commercial proliferation of Jesus kitsch indirectly spreads a religious message.
Stephen Prothero tells Jim Fleming that Jesus has become an American icon like Mickey Mouse and that the commercial proliferation of Jesus kitsch indirectly spreads a religious message.
Paul Koudounaris has spent the past decade traveling around the world, climbing into church crypts and bone chambers and taking photos at over 250 burial sites in 30 countries. He's discovered chapels decorared with skeletons and underground caves filled with skulls—among other things. In this interview, he tells us how he began his obsession with displays of death.
Sara Nelson tells Anne Strainchamps what publishers can do to make a book a best-seller and why the actual number of copies sold is a state secret.
Standup, prat falls, punch lines. Performing comedy's one thing, writing it's another.
Ian Frazier has been writing comedy for the New Yorker for decades. Catch him talking about the rewards of writing humor, and telling jokes in Russian.
Playwright Wendy Wasserstein tells Anne Strainchamps she grew up going to the theater and wanted to be sure others got the same opportunity.
Sue Mingus tells Jim Fleming how she met her husband, recalls their two weddings, explains why she spread her husband’s ashes in the Ganges River and talks about his last days in Mexico. And we hear lots of his music.
Actor Tracy Arnold reads excerpts from the email of Rachel Corrie, the young American peace activist who was recently killed by an Israeli Army bulldozer in the Gaza Strip.
Guitarist Sharon Isbin talks with Steve Paulson about how she came to the guitar as a child, why women have a harder time than men being accepted as guitarists.