Jack Gottschalk tells Steve Paulson that piracy is alive and well on the high seas, from crews who hi-jack tankers and container ships to well-armed bandits who prey on boat people.
Jack Gottschalk tells Steve Paulson that piracy is alive and well on the high seas, from crews who hi-jack tankers and container ships to well-armed bandits who prey on boat people.
Conventional wisdom holds that the founding fathers were a group of esteemed gentlemen who peacefully united under a common cause. Historian Paul Aron tells a different story. In his book "Founding Feuds," Aron follows the bitter rivalries and intense conflicts in the early days of the republic. He says our nation's founders could be just as vicious and scathing as politicians today.
So-called "outsider art" has been hot for a while now. What the art crowd calls it has changed, from l'art brut to self-taught art to vernacular art.
Whatever you call it, the work of some these artists will join the cream of the contemporary art crop at the Venice Biennale this summer.
One of the largest collections of vernacular art is right here in Wisconsin. Producer Sara Nics talks with the woman who helped create the collection: Ruth Kohler.
James Bradley is the son of John Bradley, one of the six G.I.’s who raised the flag at Iwo Jima. Bradley tells Jim Fleming about the battle, and why his father would never discuss his combat experiences.
Journalist Ian Johnson is the author of “Wild Grass: Three Portraits of Change in Modern China.” He talks with Anne Strainchamps about one of them.
J.J. Murphy talks about his book, "The Black Hole of the Camera: The Films of Andy Warhol."
James Othmer was the creative director of advertising behemoth Young & Rubicam. He tells tales of that life in his book, "Adland."
For much of her early life, rock critic Jessica Hopper was an ardent fan of punk rock. But despite her passion, she never felt like she quite fit in. That began to change once she started seeing female fronted bands performing onstage. She says the experience convinced her that there was a place for her in music. The discovery set her on a quest to uncover the countless other ways women are excluded from music, which she writes about in her book, "The First Collection of Criticism By A Living Female Rock Critic." She spoke to producer Craig Eley about the various forms of sexism she encountered in her decades-long career as a music journalist.