Seymour Martin Lipset tells Judith Strasser that Americans never became revolutionaries because from the beginning, working people here were far better off than those in other countries.
Intelligent. Optimistic. Curious.
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Why does dancing - or just watching other people dance - feel so good? Correspondent Frank Browning checks in with dancers and neuroscientists.
William Langewiesche tells Anne Strainchamps about the underground rivers at Ground Zero and the extraordinary courage and leadership shown by all the volunteers who participated in the clean up, even as the firemen rejected the heroic language used in the media.
Imagine the government has sealed off part of Florida after people start dying there and strange new life forms pop up. Just what is happening in Area X? That's the premise of Jeff Vandermeer's mind-bending Southern Reach Trilogy.
Peter Edelman says government policies can either help or hinder people on the road to economic stability. Edelman’s the longtime policy advisor who quit Bill Clinton’s administration when the President signed new welfare laws that – in Edelman’s opinion – destroyed the social safety net.
Steve Levin is the producer of a documentary film, "Jerabek," which follows the family of a young Marine killed in the ambush at ar-Ramadi on April 6, 2004.
Dance isn’t a performance; it’s life. That’s the philosophy of Sally Gross, one of the original members of the postmodern Judson Dance Theater, which is now celebrating its 40th anniversary. In this NEW and UNCUT interview, Gross talks with Steve Paulson about the power of movement and breath, the influence of John Cage, and why dance requires stillness.
Is hip hop strictly for the under-30 crowd? Todd Boyd tells Anne Strainchamps it’s a message of empowerment for Black Americans.
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