How come many of the latest pop songs sound as if they could have been released decades ago? Music journalist Simon Reynolds tells Steve Paulson that our obsession with our immediate past could get in the way of future creativity.
How come many of the latest pop songs sound as if they could have been released decades ago? Music journalist Simon Reynolds tells Steve Paulson that our obsession with our immediate past could get in the way of future creativity.
Noted nature writer Terry Tempest Williams knows that the woods can be frightening, if you go walking in them with the wrong person. She tells the story of how she narrowly escaped a brutal attack while hiking.
If there is one song more than any other that shimmers with political and emotional resonance, it’s “We Shall Overcome.”
In her novel "Bread and Butter," Michelle Wildgen takes us behind the scenes at two upscale restaurants owned by brothers. Sibling rivalry has never been so delicious.
Why are millions of British TV viewers obsessed with the Danish TV show The Killing? And will Americans ever get to see the original? We catch up with the show's creator, Danish writer/director Soren Sveistrup.
Imagine mixing and matching your senses. People with a neurological condition called synesthesia can see music or hear colors. A few decades ago, scientists thought it was a myth, but neuroscientist David Eagleman says artists and synesthesia go way back.
Scott Sandage tells Anne Strainchamps that the very meaning of failure has changed in American society over 200 years.
Stephen Barber is a surrealism expert who provides the commentary for a new DVD release of “Un Chien Andalou.” This was a short silent film made in 1929 by Luis Bunuel and Salvador Dali which still shocks viewers.