Giorgio Moroder is 75 years old, DJing in front of huge crowds, and experiencing a level of success that he hasn't seen since the 1970s—when he produced some of the first, biggest, and best songs of the disco era.
Intelligent. Optimistic. Curious.
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Hao Jiang Tian grew up in China during Mao’s Cultural Revolution. Now he sings at the Met. Tian tells the story of how he moved from his hated piano lessons to life as a vocalist.
Wasn't the digital economy supposed to help all of us gain access to meaningful work? Computers would do the boring jobs while people did the stuff that matters. Instead, we've got workers replaced by robots and taxi drivers losing out to Uber. What went wrong? Media theorist Douglas Rushkoff has a word for it: growth.
Literary critic Geoff Dyer goes to Algeria on a Camus pilgrimage, looking for traces of the great writer and some insight into his own life.
Stories of ghosts and clairvoyants are everywhere, but can they stand up to scientific scrutiny? A hundred years ago, William James led an elite group of scientists to investigate the paranormal. Deborah Blum tells this remarkable story.
Hanna Pylvainen's debut novel "We Sinners" is loosely based on her own history in a fundamentalist Lutheran community.
Houzan Mahmoud is a co-founder of the Iraqi Women's Rights Coalition and editor in chief of "Equal Rights Now," the paper of the Organization for Women's Freedom in Iraq.
Neil Gaiman's latest novel is "The Ocean at the End of the Lane." In this UNCUT interview, he tells Anne about writing his first new book for adults in seven years. They talk about childhood fears and memories, grandmothers, the language of shaping, and the three magical, mysterious women at the heart of creation.
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