Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Erik Trinkaus tells Steve Paulson that many of our assumptions about them, and our other "cave man" ancestors are just plain wrong.
Daniel Tammett loves numbers, can do calculations in his head into the millions, and can recite pi to more than 22,000 digits. But he has trouble telling right from left and looking people in the eye.
Why do we sleep? No-one really knows, but neuro-scientist Bob Stickgold tells Jim Fleming about his ideas concerning sleep and why it’s important.
Cheryl Gilkes talks with Steve Paulson about the importance of the female soloist in the tradition of gospel music.
What is it exactly that we love about the movies? For Madelon Sprengnether, going to the movies prompted a journey of self discovery and helped her cope with the sudden death of her father. It all started with a Bengali film called "Pather Panchali."
David Edmonds talks with Jim Fleming about Bobby Fischer’s infamous chess match with Boris Spassky for the World Chess Championship in 1972.
Media theorist Douglas Rushkoff's Dangerous Idea? We need to reclaim time.