David Orr says modern poetry shouldn't intimidate us. He's the author of "Beautiful and Pointless: A Guide to Modern Poetry."
David Orr says modern poetry shouldn't intimidate us. He's the author of "Beautiful and Pointless: A Guide to Modern Poetry."
Debra Ginsberg tells Jim Fleming what can turn a shift into a nightmare; why so many wait staff are performers; and that people tip better when they're spending someone else's money.
Dominique Raccah tells Anne Strainchamps why she loves hearing the actual voices of people like Denise Levertov, W.H. Auden and Robert Frost.
Producer Sara Nics on the story behind this show... how she's tried to come to terms with our narrative selves.
Eric Booth is one of America's leading teaching artists and trainers of teaching artists.
Dalton Conley grew up in the housing projects of New York's lower East Side. But he went to school in a wealthy white neighborhood.
Ted Gioia was in high school when he first visited a jazz club and he realized instantly, "This is it! This is what I've been looking for." The experience changed his life and since then he's become a noted jazz critic and historian. Gioia's new book is "How to Listen to Jazz." He tells Anne Strainchamps that new collaborations with rappers and rockers are revitalizing today's jazz.
Bill Ayers was a member of the Weather Underground, which set off a series of bombs around the country in protest against the Vietnam War. Ayers insists he was not a terrorist, since his objective was never to kill people. He believes his own actions showed restraint in comparison with the enormity of the harm he believed the Vietnam War was causing.