Etienne Van Heerdon tells Steve Paulson that many of his fellow writers are obsessed with his country’s history and that they could always say things in fiction that they could never get away with in journalism.
Etienne Van Heerdon tells Steve Paulson that many of his fellow writers are obsessed with his country’s history and that they could always say things in fiction that they could never get away with in journalism.
Chris Ayres was more comfortable reporting on celebrities in Hollywood when the Times of London sent him to Iraq.
Can a video game actually teach kids to meditate? Tammi Kral describes an innovative project at the University of Wisconsin's Center for Investigating Healthy Minds.
Christopher Stewart's “Jungleland”, a book about his adventure in Honduras seraching for La Cuidad Blanca.
Most people think of conflict as something to be avoided, but there's another way to view it -- as creative and generative. In his book "The Art of Rivalry," Boston Globe art critic Sebastian Smee explores how intense conflicts, broken friendships and personal reconciliations fueled some of the most dramatic breakthroughs in Modern Art. He tells Steve Paulson that the rivalry between Picasso and Matisse contributed, in part, to cubism.
Barbara Moss grew up dirt poor in rural Alabama with a grotesquely deformed face. In her memoir, she chronicles her quest to claim a little bit of beauty.
Colson Whitehead talks with Jim Fleming about and reads from “The Colossus of New York: A City in Thirteen Parts,” his literary portrait of New York City.
Dorothy Marcic tells Jim Fleming that you can trace the cultural status of women by analyzing the lyrics of 20th century popular songs.