In a small studio in Brooklyn, one artist is reimagining selfies. Erin Riley finds online self-portraits and transforms them into larger-than-life tapestries. The woven women don’t have faces… but they do have stories.
In a small studio in Brooklyn, one artist is reimagining selfies. Erin Riley finds online self-portraits and transforms them into larger-than-life tapestries. The woven women don’t have faces… but they do have stories.
Tony Rothman talks with Jim Fleming about Sangaku - the ancient tradition of Japanese temple geometry, which flourished during Japan’s period of isolation from the West.
Temple Grandin has autism and designs livestock-handling facilities. She talks with Jim Fleming about how her autism helps her in her career.
In the U.S., copyright originally lasted only 14 years. These days, creative works could be protected for as long as the author's alive, plus an additional 70 years. Cultural historian Siva Vaidhyanathan explains the evolution of copyright law, and how it's affected artists.
Saadi Simawe spent six years in an Iraqi prison for publishing verse opposed to Saddam Husssein’s Bath party. Now he’s an exile and teaches at Grinnell College in Iowa.
In the run-up to this show, many of you sent in your stories of wonder. Here they are, crafted into an eight-part soundscape with the voices of Michael Arnold, Cynthia Woodland, Caryl Owen, and Peter Sobol. Thanks for sharing your stories!
Scott Gelfand tells Jim Fleming about the latest in reproductive technology: the artificial womb. He worries that the device will be upon us before we’ve settled all the social and ethical issues it raises.