Journalist and poet Ruben Martinez tells Steve Paulson that there are powerful economic incentives for Mexicans to cross the U.S. border to find work.
Journalist and poet Ruben Martinez tells Steve Paulson that there are powerful economic incentives for Mexicans to cross the U.S. border to find work.
Historian Simon Schama tells Steve Paulson that Rembrandt thought art should tell the truth and that he was an enormously innovative painter.
Vivek Maddala composes new scores for silent movies. He tells Steve Paulson how music can tell a story.
In Sara Gruen's new novel "Ape House," a family of bonobo apes are captured to be the main attraction in a reality TV show.
Stephen Prothero thinks it's imperative that Americans have a working knowledge of religious traditions at home and abroad to understand other peoples and our own politicians.
Media critic Susan Douglas tells Steve Paulson that the American new media is doing less foreign news since 9/11, concentrating on health issues and “news you can use.”
Legendary showman P.T. Barnum once owned a slave named Joice Heth. Barnum claimed she was 161 years old and a former nanny to George Washington. Benjamin Reiss tells the story in his book "The Showman and the Slave: Race, Death, and Memory in Barnum's America."
William Ian Miller tells Jim Fleming we're all guilty of faking it, and that a little social duplicity isn't necessarily a bad thing.