Photographer Sarah Sudhoff has been intrigued by mortality for almost as long as she can remember. She's made art out of out of disease, hospitals, funeral homes. In her series, At The Hour of Our Death, she's taking an close look at death.
Photographer Sarah Sudhoff has been intrigued by mortality for almost as long as she can remember. She's made art out of out of disease, hospitals, funeral homes. In her series, At The Hour of Our Death, she's taking an close look at death.
TTBOOK producer Doug Gordon attempts to interview Chris Murphy and Patrick Pentland of the Halifax Indie band Sloan.
For as closely linked as the voice is to our body and sense of identity, there are also a lot of external forces affecting our voices, both social and technological. In fact, when we're talking about mediated voices—voices we hear in music, film, and of course, on the radio—we're actually not talking about "voices" any more. We're talking about signal processing. And, as media historian Jonathan Sterne tells Craig Eley, signal processing shapes the sound of all vocal media, from your telephone calls to the music of T-Pain.
David Assman is a German film-maker who spent time with the Iranian women's National Football Team as they played their first game in decades.
Sociologist Doug Maynard talks with Anne Strainchamps about the different styles of sharing bad news and how sometimes the speaker’s style can undermine the content of the message.
Belquis Ahmadi is Afghan, Sameena Nazir is Pakistani. They tell Steve Paulson why Afghans welcomed the Taliban at first, what happened when they revealed their hidden agenda of oppressing women and controlling education.
Kat Duff recommends "Awakening Osiris: The Egyptian Book of the Dead," translated by Normandi Ellis.
Davy Rothbart is the founder and editor of “Found” Magazine. He reads some samples of the notes and lists he’s found and talks about them with Jim Fleming