Economists at the University of Warwick in England have calculated the price of happiness. Andrew Oswald tells Steve Paulson that money can buy happiness, but it takes a lot.
Economists at the University of Warwick in England have calculated the price of happiness. Andrew Oswald tells Steve Paulson that money can buy happiness, but it takes a lot.
Alex Kerr tells Jim Fleming that the administration of daily life in Japan is completely divorced from politics and that Japan spends some 40 percent of its budget on construction.
Constitution quoting religious fanatics with guns taking over government land might seem as extreme as you could take your beliefs in god and country. But you can take it further. Christian Picciolini is the former leader of the US’s first neo-Nazi skinhead organization. He too was acting out of patriotism. He was also acting out of hate and white supremacy. The title of his 2015 memoir, “Romantic Violence” says it all. But Christian quit being a neo-Nazi skinhead. And in 2010, he co-founded a nonprofit peace advocacy groups called Life After Hate that helps youth leave extremist groups. Charles Monroe-Kane sat down with Christian for a frank discussion on racism.
Shortly before he was three, Ron Suskind's son was diagnosed with a rare form of autism that left him withdrawn and silent. Years later, the family used Disney films to draw him out. Ron Suskind writes about it in his book, Life, Animated: A Story of Sidekicks, Heroes, and Autism.
In EXTENDED interview, Al Gore talks with Steve Paulson about his book “The Future,” why he believes the Internet is the most powerful tool ever created by humans, and why he’s hopeful about our capacity to deal with climate change.
Jim Fleming talks with Anna Quindlen about writing newspaper columns and writing novels. Quindlen believes both forms deserve respect.
Allan Gurganus tells Jim Fleming how he first experienced the power of art and why he writes about Capital “T” Truths in his books.
In his new book “Better Living Through Criticism,” A.O. Scott distills his decades-long career into a simple to read manifesto that not only explains the qualities of a good critic, but argues their fundamental importance to any culture.