Ngugi wa Thiong’o — the renowned Kenyan author — believes African writers should write in their native language, not the colonial language of English or French. He says the best way to decolonize the mind is to reclaim native languages.
Intelligent. Optimistic. Curious.
Literature
One of the first assumptions we make about a relationship is that it begins with sexual attraction. But what about desire without sex? Angela Chen explores the contradictions — and the possibilities — of asexuality in her new book.
Writers are used to working in isolation. So how are they responding to the COVID-19 lockdown? Ilan Stavans has edited an anthology of international writing to consider the question. Stavans himself says the pandemic has liberated him as a writer.
In her new book, author Eula Biss reckons with a new phase in her life, moving from an apartment in Chicago to the first house her family owns. While that dream is about as American as the proverbial apple pie, Biss ruminates on the reality that it’s an impossible dream for many people.
Nature writer and adventurer Robert Macfarlane has given away one book more than any other volume. It's "The Living Mountain," by Scottish writer and poet Nan Shepherd.
For decades, Stanley Crouch has cut a singular path through American culture as a cultural critic and an intellectual mentor to jazz figures like Wynton Marsalis. For all of his intellectual virtuosity, we were still surprised to discover the book that Crouch wanted to recommend: Alejo Carpentier’s “Reasons of State.”
Albert Camus’s first novel, "The Stranger," speaks strongly to the search for meaning. It’s the story of an alienated man who commits a senseless murder. Literary critic Alice Kaplan calls it "the perfect Black Lives Matter book."
When he’s not drawing, Chris Ware likes to read and look at vintage comics. He highly recommends a book that defies even his powers of description — a folio-sized reproduction of some of America’s first newspaper cartoons, made long before super-heroes and adventure stories took over the medium. Back then, he says, the medium could be anything — and was.
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