Sandy Tolan tells Jim Fleming that he became a fan of Hank Aaron’s as a boy in Milwaukee, and was thrilled when “The Hammer” threatened to eclipse Babe Ruth’s home run record.
Sandy Tolan tells Jim Fleming that he became a fan of Hank Aaron’s as a boy in Milwaukee, and was thrilled when “The Hammer” threatened to eclipse Babe Ruth’s home run record.
For Robert Farris Thompson, the most beautiful, intimate and passionate of dances is Argentine tango.
How come many of the latest pop songs sound as if they could have been released decades ago? Music journalist Simon Reynolds tells Steve Paulson that our obsession with our immediate past could get in the way of future creativity.
Susan Corso is the author of “God’s Dictionary: Divine Definitions for Everyday Enlightenment.” She tells Jim Fleming about spiritual etymology and how she interprets the root meanings of words to come up with her definitions.
Historian Ron Numbers talks with Steve Paulson. Numbers was once an ardent creationist and is the author of "The Creationists," the definitive history of the anti-evolutionist movement.
The Night Circus by Erin Morgenstern is making its way up the best-seller lists for a reason — it's a fascinating blend of magic and art, with the allure of the circus and the tempered reality of dreams.
Shane Carruth wrote, directed and stars in the low-budget movie “Primer”. Anne Strainchamps talks with him about science, math and storytelling.
Jennifer Jacquet explains how public shaming can be used to promote political change and social reform.