So your future self’s woken up at home on this weekday in 2055. Time for work, right? But what kind of work? With America’s old industries sagging, what kind of jobs will we do? Here's MIT management professor, Erik Brynjolfsson.
Intelligent. Optimistic. Curious.
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By now, it's almost commonplace to worry that the amount of time you spend on the Internet is actually rewiring your brain. But the first person to really put the issue on the cultural map was the writer Nicholas Carr -- in a book that's become a contemporary classic: "The Shallows: What the Internet Is Doing to Our Brains."
This book really got us excited. 12 x 36. 10 pounds. Everyone wanted to touch it. Borrow it. Talk about it. It felt like magic. And the title was just as mysterious – Codex Seraphinianus. Publisher Charles Mier tell us what the hell it is (and what is isn't).
Want to see the first 74 pages of the "world's weirdest book"?
Scientists are on the cusp of developing new technologies that could radically change how we’re born and how we die. But just because we can do it, should we? For lots of people, it’s just plain wrong for humans to play God.
But Oxford University bioethicist Julian Savulescu has a different view. He says we have a moral obligation to use new technology to create the best possible children.
Tia Fuller's life is steeped in jazz. She's a saxophone player who composes, teaches, and has several albums under her belt. If that's not enough, she also spent five years touring the world with Beyonce's all-woman R & B band. Her new album is called "Angelic Warrior."
The recent "Blurred Lines" copyright decision has again raised questions about the limits of copyright law, and the disinction between inspiration and imitation. UCLA law professor Kal Raustiala believes the verdict sets a risky precedent for artists and misunderstands the way the creative process works.
Russell Foster tells Jim Fleming how the body uses light to tell time; why night shift workers have more accidents; and why it can matter when you take your medicine.
You can trace the history of the 1960's through its iconic music festivals: Newport '65, Monterey '67, Denver '69, Woodstock, and Altamont. Historian Craig Werner was there and says those festivals changed a lot more than American music.
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