What is it about awkwardness that we can't seem to get enough of? Philosopher Adam Kotsko says our fascination with awkwardness is more than about entertainment — it defines our modern era.
What is it about awkwardness that we can't seem to get enough of? Philosopher Adam Kotsko says our fascination with awkwardness is more than about entertainment — it defines our modern era.
For years, the Mortified stage show and podcast has brought people together from all walks of life to share their most painfully awkward teenage moments. Participants open up their diaries and recount their most embarrassing stories.
Is war inevitable? Leymah Gbowee loudly and strongly says no. And she’s got proof.
Steve Paulson sat down with Bishop King, founder of the Church of St. John Coltrane, and with Ashley Kahn, author of “A Love Supreme: The Story of John Coltrane’s Signature Album” to dig a little deeper.
The title of political scientist Benjamin Ginsberg's book says it all, “The Worth of War.” In it, he argues that war has greatly benefited civilization.
Revenge is a major theme in Elliot Ackerman’s debut novel “Green on Blue.” The novel is told from the point-of-view of an Afghan boy named Aziz who’s seeking to avenge his brother Ali.
Will a computer ever write a great novel? Absolutely, says the pioneering software developer Stephen Wolfram. He believes there's no limit to computer creativity.
Garth Risk Hallberg's "City on Fire" is a sweeping 900-page story about New York City in the mid-1970s, chronicling everything from the punk music scene to the rise of Wall Street's runaway hedge funds. Hallberg says he's fascinated by the idea of creative destruction.