So your future self’s woken up at home on this weekday in 2055. Time for work, right? But what kind of work? With America’s old industries sagging, what kind of jobs will we do? Here's MIT management professor, Erik Brynjolfsson.
So your future self’s woken up at home on this weekday in 2055. Time for work, right? But what kind of work? With America’s old industries sagging, what kind of jobs will we do? Here's MIT management professor, Erik Brynjolfsson.
How come many of the latest pop songs sound as if they could have been released decades ago? Music journalist Simon Reynolds tells Steve Paulson that our obsession with our immediate past could get in the way of future creativity.
Noted nature writer Terry Tempest Williams knows that the woods can be frightening, if you go walking in them with the wrong person. She tells the story of how she narrowly escaped a brutal attack while hiking.
Theresa Maggio tells Steve Paulson about the Mattanza - the ritual capture and killing of these beautiful, massive fish that occurs every spring.
Sherron Watkins is the whistle-blower who tried to tell Ken Lay what was going on at Enron. With co-author, journalist Mimi Schwartz, Watkins lays out the story in her book “Power Failure.”
Why are millions of British TV viewers obsessed with the Danish TV show The Killing? And will Americans ever get to see the original? We catch up with the show's creator, Danish writer/director Soren Sveistrup.
Ron Sadoff, who teaches film studies at New York University, takes Anne Strainchamps on a tour of the best sci-fi music.
Award-winning author Salman Rushdie talks to Steve Paulson about his new novel, "The Enchantress of Florence".