Daniel Goldmark talks with Jim Fleming about the use of music in animation.
Daniel Goldmark talks with Jim Fleming about the use of music in animation.
In an essay called "Fail," Chuck Klosterman examines the thinking behind the so-called "Unabomber Manifesto."
Photographer Sarah Sudhoff has been intrigued by mortality for almost as long as she can remember. She's made art out of out of disease, hospitals, funeral homes. In her series, At The Hour of Our Death, she's taking an close look at death.
Doug Gordon reports on Gus Van Sant’s efforts to re-make the classic 1960 Alfred Hitchcock film, “Psycho.”
Brian Greene is a physicist who specializes in string theory. Greene says that time appears to move in one direction only to complex organisms like people. At the atomic level, electrons don’t know one direction from another.
Edward Hirsch tells Anne Strainchamps that the best artists have “duende” - a kind of creative imp that puts them in touch with human emotional experience.
Carl Honore tells Jim Fleming that several countries have societies which promote a slower, more relaxed approach to life.
When Nikka Costa was ten, she was a pop sensation in Europe. Later, she was Britney Spear’s opening act. But she’s left pop music behind and now she’s performing songs by some of the musicians she’s known, including Prince and Frank Sinatra.