In Laura Poitras's film "My Country, My Country" she shoots in cinema verite style and based her film on the actions of an Iranian physician and his family around the recent Iranian election.
In Laura Poitras's film "My Country, My Country" she shoots in cinema verite style and based her film on the actions of an Iranian physician and his family around the recent Iranian election.
Journalist Kevin Krajick's book tells the story of geologists Chuck Fipke and Stew Blusson, a couple of small-time prospectors who went looking for diamonds in the Canadian tundra.
Pierre Ferrari is one of the founders of TeamX, a clothing company with a social conscience. He tells Jim Fleming that the company limits executive salaries to eight times the salary of the lowest paid worker.
The evidence is mounting... "we" are mostly who we think we are. Our identities are mental constructs, cobbled together from memory and stories. Jonathan Adler gives us a crash course in narrative identity and mental health.
Lewis Hyde invokes the cultural commons – that vast store of art and ideas from the past that enrich everybody's present.
Singer and pianist Marcia Ball talks about the various kinds of Blues and how they differ from what she usually plays.
Inspired by stories of police brutality and the Rodney King beating, civil rights attorney Connie Rice says she declared "war" on the LAPD in the 1990s. These days, she trains and supervises 50 officers in one of Los Angeles' toughest communities.
Can you learn to be more creative? You can if you go to Lynda Barry's workshop on "writing the unthinkable." In this EXTENDED interview, she tells Anne Strainchamps how to unleash our hidden muse.