Walter Kirn bookmarks "The Dog of the South" by Charles Portis.
David Ferris is the director of the Asian Elephant Art and Conservation Project. He tells Anne Strainchamps the project began as a conceptual art project that provided gainful employment to the animals put out of work by the collapse of Thailand's timber industry.
David Hughes tells Jim Fleming some of the reasons why a script might never get made into a film.
The power of big data—why so many corporations and government agencies and political pollsters and baseball teams are after it—is that it can reveal things we might otherwise not see. But statistics alone can't do that. We need to transform those statistics into stories. One artist doing that is Brian Foo, aka the Data Driven DJ. He takes large data sets and turns them into music. His first song, "Two Trains," amplifies a dire but often ignored truth about our country: income inequality.
Long before the Occupy movement made headlines, writer Dean Bakopoulos foreshadowed it in a darkly comic novel called My American Unhappiness.
Emily Anthes talks about her book, "Frankenstein's Cat: Cuddling Up to Biotech's Brave New Beasts."
So if you want to protect your privacy when you’re online or on the street, what do you do? Photographer Adam Harvey is developing a DIY solution...
Christopher Phillips tells Jim Fleming what happens at Socrates Café, and explains how he reveals the deep philosophical implications of everyday events.