You can interpret the line from Paul Sartre’s 1944 play “No Exit” in a lot of different ways. Philosopher Gregory Sadler has a fascinating take.
Intelligent. Optimistic. Curious.
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Could a computer write the next West Side Story or Hamilton? That’s what composers Benjamin Till and Nathan Taylor tried to figure out—the result is a musical called “Beyond the Fence."
When a computer program fixes a writer’s novel, or improvises a few bars of music, is that real creativity? Are they not just doing what they were programmed to do? Blaise Agüera y Arcas would wholeheartedly disagree.
As an acquisitions editor for Penguin Books, Jodie Archer saw many novelists struggling to write books that would sell. Then she went to grad school at Stanford, where she and her advisor created an algorithm to help.
Doug Eck directs Google’s new “Magenta” project, an experiment in teaching machines to make art, leveraging advances in machine learning like neural networks to enable computers to do things like compose music.
The father of the men’s rights movement is Warren Farrell, author of the core text of the movement, “The Myth of Male Power.” Steve Paulson sat down with Farrell for a candid talk about men’s rights and masculinity in America.
When Ashanti Branch first started teaching, he noticed that a lot of boys at his school were kind of checked out, absent and not on track to graduate. He decided to push them to take off the "male mask."
I thought there was good back-and-forth between Chuck and myself in this conversation. I like how the interview went “meta” at the end, with Chuck speculating that if I’m right about his book being hailed as the “Moby Dick" of non-fiction in 300 years time. This interview belongs in a time...
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